Lola Smirnova's Twisted and Craved, the first two novels of a trilogy, apparently, offer enough crime, misery, drugs, alcohol, sex, and even occasional pleasure for a dozen crime novels, but these are not really crime novels (despite the excess of crime, especially crimes against women, in them). Instead, Smirnova has constructed an episodic fictional memoir by Julia, who with her sisters Natalia and Lena, depart from a difficult life in Ukraine into an even riskier world of sex work, primarily nude dancing and sometimes prostitution. They are not being trafficked, they are entering into contracts more or less with their eyes open. And the sisters, each in her own way, are looking for a home life, with or without romance--in some ways the novels are the antithesis of romance fiction.
The story begins with an S/M scenario and then flashes back to the beginning of Julia's story. The sisters travel first to Luxembourg and then to Turkey, encountering many, many unpleasant men, across a range from customers in a strip club to rapists. Julia descends into drug addiction, and her sisters try to save her and eventuall succeed, returning to Ukraine and decide to start a new life as entrepreneurs, starting, with their mother's help, a beauty salon.
Craved, the second book, begins with a new temptation to leave their new life (the salon isn't doing all that well) for Cape Town, South Africa, for a new gig as dancers. At first, they find the new situation easier than their European experience: prostitution is now assumed to be part of their job, though that practice lurks always below the surface as the underside of their work. Each sister finds a patron, even in Lena's case a husband (something she has been searching for all along) but love is not part of the equation at any point. But while Julia finds her own patron in a seemingly kind Arab prince, things begin to spiral out of control for all three: even the truths that they had assumed about their parents and each other start to dissipate. By the end of Craved, things are very bad, and a sequel will need to dig Julia nad her sisters out of a very dark place.
There's a lot of sex in these books, but nothing even remotely sexy. But Julia's tale is compelling, and the story moves quickly along, pulling the reader into the net into which the sisters have themselves become entangled. This is a new kind of noir, not following any of the rules of the genre but conjuring up the true core of noir fiction's vision of contemporary life.